Extra info: Screenprint in colours, signed and dated in pencil, numbered from an edition of 90, printed by Rupert Jasen Smith with blindstamp, published by George Mulder Fine Arts, New York, on paper ("Lenox Museum Board"). The work is part of the Apocalypse series and is listed in Littmann's catalogue raisonné "Editions on Paper 1982-1990" (p. 103).
The print is presented in a clean white frame with UV-protective glass.
An electrifying composition of interlocking figures and symbols unfolds across the surface in vivid blue, yellow, and black, with a fiery accent in a red-orange palette. Plate 6 from "Apocalypse" forms part of the landmark collaboration between Keith Haring and the writer William S. Burroughs in 1988 - a suite of ten screenprints regarded as a pivotal moment in late twentieth-century American printmaking. The untamed energy and layered visual language reflect a critical reading of power systems, technology, and social upheaval. The integration of iconic visual motifs in this series creates a tension between visual tradition and contemporary crisis.